{"id":244,"date":"2022-07-18T11:16:23","date_gmt":"2022-07-18T09:16:23","guid":{"rendered":"https:\/\/fondationmiotte.com\/?page_id=244"},"modified":"2022-08-23T15:09:36","modified_gmt":"2022-08-23T13:09:36","slug":"jean-miotte-biography","status":"publish","type":"page","link":"https:\/\/fondationmiotte.com\/index.php\/en\/jean-miotte-biography\/","title":{"rendered":"Jean Miotte Biography"},"content":{"rendered":"

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Jean Miotte (1926-2016)\u0003
\nBiography<\/h1>\n

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THE YEARS OF STUDIES OF THE PAINTER JEAN MIOTTE<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]Jean Miotte was born in Paris on September 8th, 1926 and spent his youth in Occupied Paris: he was eighteen years old at the end of the war. \u201cIt was in this context of upheaval and planetary ideological turmoil that his desire for other values, other spiritual commitments was exacerbated. His hostility towards all forms of regimentation, group effects, dates from this time. At the age of nineteen, he had decided, his path would be solitary\u201d wrote Serge Lenczner. After studying mathematics, Jean Miotte discovered painting during his military service in 1946. He painted the walls of the barracks and said: \u201cI had been struck by the ugliness of the place and the surrounding wall decorations and I swore that as soon as I could I would transform it.\u201d After this, Jean Miotte painted frescoes and theatre sets.
\nIn 1947, Jean Miotte went to the studios of the painters \u00c9mile Othon Friesz and Ossip Zadkine. The same year, suffering from tuberculosis, Jean Miotte was hospitalized for many months during which he painted and made drawings. When he left, he painted from life and also created a few imaginary compositions.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb99″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]<\/p>\n

THE IMPORTANCE OF DANCE TO JEAN MIOTTE\u2019S ART<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]The painter Jean Miotte was influenced by the art of Jacques Villon, Georges Rouault and Henri Matisse. He was invited to London by the Ballets Russes and to Monte-Carlo by friends who were dancers and choreographers. Dance is a vital element in his art. Jean Miotte was surrounded by friends who were dancers and choreographers such as Zizi Jeanmaire and Wladimir Skouratoff. Jean Miotte\u2019s first figurative paintings often show dancers. Jean Miotte\u2019s painting was nurtured by theatre and performance. He dreamed of a synthesis of music, painting and choreography. Jean Miotte received a commission from the city of Paris: a large format work entitled Sud which hangs in the main hall of the Bastille Opera House. The writer Castor Seibel wrote about Jean Miotte\u2019s painting: \u201cBeyond all realistic figuration, it is an event in itself that finds its expression in the gestural dynamic and its equivalence in colour\u2026 knowing how to combine the contradictory in the form seems possible for Miotte, serenity battles chaos, gentleness and the savage rub shoulders in happiness.\u201d[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb127″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]<\/p>\n

JEAN MIOTTE\u2019S EARLY SUCCESSES<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]Jean Miotte travelled to Italy and discovered Quattrocento art. He also met the artists Piero Dorazio, Lorenzo Guerrini and Achille Perilli. On returning to Paris, Jean Miotte was influenced by the paintings of Robert Delaunay and Fernand L\u00e9ger.<\/p>\n

In 1950, Jean Miotte made his first abstract painting. At the time, he was living and working at Meudon where he met the artists Jean Arp and Gino Severini. In 1952, Jean Miotte met Sam Francis and visited his studio at Ville-d\u2019Avray. The following year Jean Miotte exhibited at the Salon des R\u00e9alit\u00e9s Nouvelles for the first time; he would continue to exhibit regularly there. The same year, the art critic Michel Seuphor contacted him for his publication Dictionnaire de l\u2019art abstrait which was published in 1957. Miotte\u2019s painting is described in it as: \u201chighly coloured compositions with clearly articulated design that have wall power.\u201d Jean Miotte is a personal work, between Lyrical Abstraction, Informal Art and Tachisme. \u201cThe names of the artists who, with their lyricism, are an exception to the general rule of coldness\u2026Jean Miotte, by whom bright and airy painting transmits an undeniable emotion,\u201d wrote the art critic Alain Jouffroy. Jean Miotte\u2019s paintings were created with an immediate gesture, a dazzling energy. \u201cMovement is my life\u201d he recalled. In this, he can be compared to Jackson Pollock.<\/p>\n

Jean Miotte never prepared his work with sketches. This differentiated him from Hans Hartung for example. The American art critic Harold Rosenberg appreciated this practice especially: \u201cthe most important thing in art is freshness\u201d.
\nThis free and instinctive form of painting was also influenced by Surrealism. The spirit was liberated of all constraints of reflection: \u201cit is the intuition that counts above all when a work is born\u201d. Jean Miotte evoked his work as the \u201cresult of internal conflicts, my painting is a projection; a succession of acute moments where creation happens in full spiritual tension. Painting is not a speculation of the mind or the intellect, it is a gesture that is carried within.\u201d Jean Miotte met Roberto Matta who told him: \u201cSurrealism is for me a battle. (\u2026) You, too, you\u2019re a fighter, you\u2019re like me, your paintings aren\u2019t abstract.\u201d
\nThe influence of Cubism is also present. Just as his predecessors decomposed to recompose, Miotte \u201cunmakes\u201d. According to Karl Ruhrberg, with Jean Miotte, it is \u201cthe orchestration of a world that explodes\u201d. He also underlined Jean Miotte\u2019s strong connection to his northern origins, especially Frans Hals, \u201cwho, like him allied spontaneous painting and harmony between impulse and balance.\u201d<\/p>\n

In 1954, Jean Miotte moved his studio to the townhouse of the sculptor Prince Youri\u00e9vitch in Boulogne, where the artists Jacques Lanzman and Serge Rezvani were also living. The following year, the painter Henri Goetz brought his pupils to visit this studio.<\/p>\n

In 1957, Jean Miotte participated in the exhibition 50 Ans d\u2019Art Abstrait at the Galerie Creuse in Paris. A solo exhibition of his work was held at the Galerie Lucien Durand in the same city. From 1958, Jean Miotte was represented in Europe by the dealer Jacques Dubourg. That year, Jean Miotte met the painters Andr\u00e9 Lanskoy, Serge Poliakoff and Pierre Dmitrienko.<\/p>\n

Jean Miotte became successful in Germany where ten exhibitions were devoted to his work during the 1950s, for example at the Kunsthalle of Recklinghausen in 1958. He was also included in a group exhibition of 15 painters at the Cologne Kunstverein. The first work by Miotte to enter a museum was acquired by the Ludwig Museum of Cologne in 1960.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]<\/p>\n

THE PAINTER JEAN MIOTTE\u2019S FIRST TRIP TO THE USA<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]Jean Miotte exhibited at the first Paris Biennale in 1959 in the \u201cSection Informels\u201d with Raymond Hains, LeRoy Neiman, Peter Foldes and Andr\u00e9 Favory. The following year, two paintings by Jean Miotte were included in the inaugural exhibition of the Galerie Karl Flinker in Paris. Paintings by him were also included in the inaugural exhibition of the Galerie Iris Clert. In 1961, Jean Miotte participated with Sam Francis, Georges Mathieu and Jean-Paul Riopelle in the group exhibitions of the Galerie Swenska-Franska in Stockholm and the Galerie Bonnier in Lausanne. That year, he was awarded the Ford Foundation Prize and was invited to spend six months in the USA. The following year, a solo show of his work was organized by the Iolas Gallery in New York. Jean Miotte met the American artists Robert Motherwell, Mark Rothko, Cha\u00efm Jacob Lipchitz and Alexander Calder. He travelled around the USA and gave a lecture at Colorado Spring University.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]<\/p>\n

INTERNATIONAL RECOGNITION FOR THE PAINTER JEAN MIOTTE<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]In 1963, a Jean Miotte retrospective was organized by the Stedelijk Museum of Schiedam and it then transferred to the Gronginger Museum in the Netherlands. Jean Miotte participated the same year in the group exhibition Art Contemporain at the Grand Palais in Paris. In February 1964, the Portuguese art historian Jos\u00e9-Augusto Fran\u00e7a wrote about Jean Miotte\u2019s painting in the magazine Costruire: \u201cA gestural painter in the French spirit, Miotte expresses himself in the constructive despite the impression of immediate vehemence that emanates from his paintings: his art goes beyond the post-war aesthetic, standing out in a more modern way by a conscience of the independence of the idea of creating.\u201d
\nDuring the 1960s, many exhibitions of Jean Miotte\u2019s work were organized in Germany, the Netherlands, Denmark and in Belgium. At that time, he worked in the south of France, at Pignans. In 1967, he was again included in an exhibition at the Schiedam Stedelijk Museum, the group show Huit peintres de Paris, along with Chafik Abboud, Olivier Debr\u00e9, Karskaya, Jean Messagier, Carl Moser, Louis Nalard and Paul Rebeyrolle.<\/p>\n

In 1970, Jean Miotte became a member of the Comit\u00e9 des R\u00e9alit\u00e9s Nouvelles. He exhibited forty paintings at the Fondation Prouvost at Marcq-en-Bar\u0153ul. In 1971, Jean Miotte started using hessian bare canvas as an element in his compositions. The following year, he again spent time in the USA, this time in New York and Washington. Forty-six of his canvases were exhibited at the International Monetary Fund in Washington. Jean Miotte moved his studio to Hamburg in Germany.
\nIn 1975, a monograph on Jean Miotte was published, containing a text by the dealer Castor Seibel: \u201cno imitation, no reproduction, but the internal event finds its expression in the colours and a gestural dynamic\u2026 Miotte\u2019s painting is a place where the contradictions of our age are no longer expressed in a dualist way\u2026. In this sense, J.M. is an important creator of new forms.\u201d<\/p>\n

The following year, Jean Miotte experimented with paper as a support and made eighty gouaches as well as collages of brown paper and newspaper. One of his works was acquired by the Museum of Maassluis in the Netherlands. He exhibited in Padua alongside Enrico Baj, Alexander Calder and Karel Appel. Jean Miotte moved his studio to Vitry. He exhibited at the Malines cultural centre in Belgium at the group show Kunst in Europa 1920-1960 which brought together the big names in contemporary art of the time.<\/p>\n

In 1978, Jean Miotte was invited to speak in the context of exhibitions of his work at the French cultural centre in Damascus and then at the museum of Alep in Syria and finally in Amman in Jordan. The same year, he moved his studio to New York where he was represented by the Martha Jackson Gallery.
\nHis work was shown at exhibitions about French painting from the 1950s at the Maison de la culture de Grenoble, at the Mus\u00e9e de Dunkerque and at the Mus\u00e9e de Saint-Omer in France.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb20px\u00a0\u00bb][vc_single_image image=\u00a0\u00bb114″ img_size=\u00a0\u00bbfull\u00a0\u00bb qode_css_animation=\u00a0\u00bb\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]<\/p>\n

JEAN MIOTTE\u2019S TRAVELS IN ASIA<\/h3>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]In May 1980, Jean Miotte exhibited fifty works in Beijing at the French cultural centre. He was the first western painter to be invited to exhibit his work in Beijing after Mao\u2019s death. Jean Miotte took this opportunity to travel around China. In 1982, he exhibited 60 paintings at the Hong Kong Art Center and then at the Institut Franco-Japonais of Tokyo. The following year, Jean Miotte exhibited at the Singapore National Museum and at the National Museum of History of Taipei. In 1984, he was exhibited at the Striped House Museum of Tokyo.<\/p>\n

The Guggenheim Museum acquired two works on paper by Jean Miotte in 1987. In 1991, the Centre Georges Pompidou in Paris exhibited the prints commissioned by Danielle Mitterrand for her album M\u00e9moire de la libert\u00e9. Fifty-five artists were involved in this project including Jean Miotte, Roy Lichtenstein, Antoni Tapies, Sam Francis and Robert Rauschenberg. The following year, a Jean Miotte retrospective was organized at the Palais des Arts de Toulouse.<\/p>\n

The Jean Miotte Foundation was opened in New York in 2002 with a permanent collection of his works. Jean Miotte died on March 1st, 2016 at the age of 89.[\/vc_column_text][vc_empty_space height=\u00a0\u00bb30px\u00a0\u00bb][vc_column_text]\u00a9 Diane de Polignac Gallery
\nTranslation: Jane Mac Avock[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb]

\n\t

\n\n\t \n SELECTED COLLECTIONS <\/span>\n<\/span>\n\n \n <\/span>\n <\/span>\n <\/span>\n<\/span>\n<\/h4>\n
\n
\n [vc_column_text]Berlin, Graphotek<\/p>\n

Castellon, Museo de Arte Contempor\u00e1neo de Villafam\u00e9s<\/p>\n

Cologne, Museum Ludwig<\/p>\n

Dortmund, Museum am Ostwall<\/p>\n

Dhaka, Bangladesh National Museum<\/p>\n

Dunkirk (France), Mus\u00e9e d\u2019Art Contemporain<\/p>\n

Hamburg, Staats-und Universit\u00e4tsbibliothek Hamburg Carl von Ossietzky<\/p>\n

Maassluis (the Netherlands), Gemeentemuseum<\/p>\n

Munich, Staatsgalerie Moderner Kunst<\/p>\n

New York, The Solomon R. Guggenheim Museum<\/p>\n

New York, The Museum of Modern Art<\/p>\n

New York, The Chelsea Art Museum<\/p>\n

Paris, Mus\u00e9e d\u2019Art Moderne de la Ville de Paris<\/p>\n

Paris, Biblioth\u00e8que Nationale<\/p>\n

Paris, Minist\u00e8re des Affaires Culturelles<\/p>\n

Paris, Op\u00e9ra National Bastille<\/p>\n

Paris \u2013 La D\u00e9fense, Fonds National d\u2019Art Contemporain (FNAC)<\/p>\n

Paris \u2013 La D\u00e9fense, Fondation d\u2019Art Contemporain CNIT<\/p>\n

Rio de Janeiro, Museo de Arte Moderna<\/p>\n

Saarbrucken (Germany), Saarlandmuseum, Moderne Galerie<\/p>\n

Singapore, National Museum of Singapore<\/p>\n

Taichung, Museum of Fine Arts Taiwan[\/vc_column_text] <\/div>\n<\/div>

\n\n\t \n SELECTED EXHIBITIONS <\/span>\n<\/span>\n\n \n <\/span>\n <\/span>\n <\/span>\n<\/span>\n<\/h4>\n
\n
\n [vc_column_text]Salon des R\u00e9alit\u00e9s Nouvelles, Paris, 1953. Participated regularly from this date on<\/p>\n

Exposition d\u2019Ouverture, Galerie du Haut du Pav\u00e9, Paris, 1954<\/p>\n

50 Ans d\u2019Art Abstrait, to coincide with the publication of the Dictionnaire de la Peinture abstraite by Michel Seuphor, Galerie Creuse, Paris, 1957<\/p>\n

Galerie Lucien Durand, Paris, 1957<\/p>\n

R\u00e9alit\u00e9s Nouvelles, Nouvelles R\u00e9alit\u00e9s, 13e Salon des R\u00e9alit\u00e9s Nouvelles, Kunsthalle de Recklinghausen, Recklinghausen (Germany), 1958<\/p>\n

Cinq Peintres de Paris: Bogart, Bysantios, Jousselin, Miotte, Mihailovitch, Galleria Attico, Rome, 1958<\/p>\n

Section Informel: Hains, Miotte, Neiman, Foldes, Favory \u2026, First Paris Biennale, Paris, 1959<\/p>\n

15 Peintres de Paris, Kolnischer Kunstverein, Cologne, 1959, 1962<\/p>\n

Ouverture, Galerie Flinker, Paris, 1960<\/p>\n

Ouverture, Galerie Iris Clert, Paris, 1960<\/p>\n

Galerie Am Dom, Frankfurt, 1960<\/p>\n

Galerie Gunar, D\u00fcsseldorf, 1960<\/p>\n

Exposition Internationale, Museum Wolfram Von Eschenbach, Wolframs-Eschenbach (Germany), 1961<\/p>\n

Sam Francis, Mathieu, Miotte, Riopelle, Galerie Swenska Franska, Stockholm, 1961<\/p>\n

Galerie Bonnier, Lausanne, 1961<\/p>\n

Drian Gallery, London, 1961<\/p>\n

Centre Culturel de Mechelen, Mechelen (Belgium), 1961, 1976<\/p>\n

Galerie Iolas, New York, 1962<\/p>\n

Galerie Jacques Dubourg, Paris, 1963<\/p>\n

Stedelijk Museum, Schiedam (The Netherlands), 1963, 1967<\/p>\n

Groninger Museum, Groningen (The Netherlands), 1963<\/p>\n

Galerie Zodiaque, Brussels, 1963<\/p>\n

Grand Palais, Paris, 1963, 1988<\/p>\n

Cobra et l\u2019Informel: Appel, Constant, Corneille, Miotte, Riopelle, Tal Coat, Galerie Krikhaar, Amsterdam, 1965<\/p>\n

Galerie Dierks, Aarhus (Denmark), 1966, 1968, 1971<\/p>\n

Court Gallery, Copenhagen, 1966<\/p>\n

Galerie Bio, Aalborg (Denmark), 1967<\/p>\n

International Graphies, The Corcoran Gallery of Art, Washington DC, 1970<\/p>\n

Galerie Wu\u0308nsche, Bonn, 1970, 1974, 1976<\/p>\n

Septentrion, Centre Artistique de la Fondation A. Prouvost, Marcq-en-<\/p>\n

Baroeul (France), 1970<\/p>\n

Huit Peintres de Paris: Abboud, Debr\u00e9, Karskaya, Messagier, Moser, Miotte, Nalard, Rebeyrolle, Maison de la Culture, Bourges, 1971<\/p>\n

International Monetary Fund, Washington DC, 1972<\/p>\n

Galerie Dinastia, Lisbon, 1972<\/p>\n

Prudhoe Gallery, London, 1973, 1974<\/p>\n

Galerie Winter, Braunschweig (Germany), 1975, 1978<\/p>\n

Galerie Nieuwe Weg, Doorn (The Netherlands), 1976, 1979, 1984, 1991<\/p>\n

Cinq Artistes : Appel, Baj, Calder, Miotte, Scordia, Galerie Alfiere, Padua, 1976<\/p>\n

Bishops Gallery, Melbourne, 1977<\/p>\n

Damascus Cultural Center, Damascus, 1978<\/p>\n

National Museum, Alep, 1978<\/p>\n

Amman Cultural Center, Amman, 1978<\/p>\n

Mus\u00e9e de Dunkerque, Dunkirk, 1978, 1993<\/p>\n

L\u2019Abstraction des Ann\u00e9es 50 en France, Maison de la Culture, Grenoble, 1978<\/p>\n

L\u2019Abstraction des ann\u00e9es 50 en France, Mus\u00e9e de Saint-Omer, 1978<\/p>\n

Travelling retrospective in French cultural centres, 1979<\/p>\n

Beijing Cultural Center, Beijing: First exhibition of a western artist in the People\u2019s Republic of China, 1980<\/p>\n

Galer\u00eda Lucas, Gand\u00eda (Spain), 1980, 1981<\/p>\n

Galerie Koppelmann, Leverkusen (Germany), 1980, 1983<\/p>\n

Centre Culturel, Montpellier, 1980<\/p>\n

Ayala Museum, Manilla, 1981<\/p>\n

Museum f\u00fcr Kommunikation Hamburg, Hamburg, 1981<\/p>\n

Evergreen Galleries, The Evergreen State College, Olympia, Washington D.C, 1982<\/p>\n

Hong-Kong Arts Center, Hong-Kong, 1982<\/p>\n

Institut Franco-Japonais de Tokyo, Tokyo, 1982<\/p>\n

Trevisan Galleries, Edmonton (Canada), 1982<\/p>\n

Paris 59: Fautrier, Feraud, Hartung, Lanskoy, Lipsi, Miotte, Schneider, Sonderborg, Soulages, TaI Coat, Tapies, Galerie Koppelmann, Cologne, 1982<\/p>\n

Singapore, National Museum of Singapore, 1983<\/p>\n

National Museum of History, Taipei, 1983<\/p>\n

Bitran, Chu teh-Chun, Hartung, Miotte, Soulages, Chapelle des Franciscains, Saint-Nazaire, 1983<\/p>\n

Galerie La Cit\u00e9, Luxemburg, 1983, 1987<\/p>\n

Striped House Museum, Tokyo, 1984<\/p>\n

Vik Gallery, Edmonton (Canada), 1984<\/p>\n

Institut Fran\u00e7ais d\u2019Ath\u00e8nes, Athens, 1984<\/p>\n

Deux Peintres, Deux Sculpteurs, Orangerie de Bagatelle, Paris, 1984<\/p>\n

Opus Gallery, Miami, 1985<\/p>\n

Konstmassan, Stockholm, 1985, 1989<\/p>\n

Art Atrium, Stockholm, 1985<\/p>\n

Columbia University, New York, 1986<\/p>\n

Galerie Keeser, Hamburg, 1987, 1989, 1991<\/p>\n

Les Peintres autour d\u2019Arrabal, Mus\u00e9e d\u2019Histoire, Esch-sur-Alzette, Luxemburg, 1987<\/p>\n

Ciae, Chicago International Art Exhibition, Chicago, 1987<\/p>\n

Colloque Euro-Arabe, National Museum of Malta, Malta, 1987<\/p>\n

Art in Paris, Pavillon Inter-Continental, Singapore, 1987<\/p>\n

Galerie Gimpel & Weitzenhoffer, New York, 1988<\/p>\n

Galerie Egelund, Holte, Denmark, 1988, 1990<\/p>\n

Espace d\u2019Art Contemporain E. Ungaro, La Rochelle, 1988<\/p>\n

Rencontres \u00c9crites, Institut du Monde Arabe, Paris, 1988<\/p>\n

Les Ann\u00e9es 50: Benrath, Chu teh-Chun, Debr\u00e9, Dietrich Mohr, F\u00e9raud, Hartung, Lanskoy, Miotte, Music, P\u00e8re, Pichette, de Sta\u00ebl, Subira Puig, Casino de Hyeres, Hy\u00e8res, 1988<\/p>\n

Les ann\u00e9es 50, M\u00e9c\u00e9nat Pernod, Paris-Cr\u00e9teil, First venue of a travelling, 1988<\/p>\n

Galerie N\u2019namdi, Detroit, 1989<\/p>\n

Miotte\/Arrabal, Maler und Dichter, Institut Fran\u00e7ais de Hambourg, Hamburg, 1989<\/p>\n

Galerie von Braunbehrens, Munich, 1990, 1992, 1996<\/p>\n

Galerie Wild, Frankfurt, 1990, 1992, 1994, 1997<\/p>\n

Abstrakte Malerei nach 1945: Miotte, No\u00ebl, Schumacher, Sonderborg, Thieler, Haus Sandreuther, Riehen-Basel, 1990<\/p>\n

Art et Partage, Mus\u00e9e des Beaux-Arts, Nice, 1990<\/p>\n

Seibu Museum, Tokyo, 1991<\/p>\n

Galerie Jade, Colmar,1991, 1992<\/p>\n

Galerie Michael Schultz, Berlin, 1991, 1993, 1997<\/p>\n

M\u00e9moire de la Libert\u00e9: 55 artists from 23 countries, C\u00e9sar, Sam Francis, Miotte, Rauschenberg, Motherwell, Lichtenstein, Tinguely, Tapies, etc., illustrate each article of the Universal Declaration of Human Rights, organized by the Association France Libert\u00e9, Centre Pompidou, Paris, 1991<\/p>\n

Collections des Collections; de Paul Klee \u00e0 Nos Jours, CNIT, Fondation d\u2019Art Contemporain, Paris-La D\u00e9fense, 1991<\/p>\n

Couleurs de la Vie, international travelling exhibition of contemporary art under the patronage of Mme Danielle Mitterand, Biblioth\u00e8que Nationale, Paris, 1991<\/p>\n

Forms of Abstraction, N\u2019namdi Gallery, Birmingham, Michigan, 1991<\/p>\n

Palais des Arts, Toulouse, 1992<\/p>\n

Shuyu Gallery, Tokyo, 1992<\/p>\n

Galerie Saint-Polly, Gunrua (Japan), 1992<\/p>\n

Art and Art, Nicaf 92, Yokohama, 1992<\/p>\n

Grands Formats, Miami Art Fair, Miami, 1992<\/p>\n

Art Multiple, Du\u0308sseldorf, 1992, 1994<\/p>\n

5 Artistes des Ann\u00e9es 50: Christophorou, Debr\u00e9, Miotte, F\u00e9raud, Koch, Centre Culturel Jean Despas, Saint-Tropez, 1993<\/p>\n

Hartung et Miotte, Ishi Gallery, Osaka, 1993<\/p>\n

Mus\u00e9e des Cordeliers, Ch\u00e2teauroux, 1994<\/p>\n

Graphic works, Mus\u00e9e Bertrand, Ch\u00e2teauroux, 1994<\/p>\n

30 ans Apr\u00e8s: Sam Francis, Jean Miotte, Joan Mitchell, Jean-Paul Riopelle, organized by Chapel Art Center, Hamburg and Cologne, 1994, 1995, 1997<\/p>\n

Pour la Paix et la Reconstruction au Liban \u2013 33 Peintres, Mus\u00e9e Sursock, Beirut, 1994<\/p>\n

Chinesische Kunst nach 1945 in Europa \u2013 Eine Gegenu\u0308berstellung : Li Di, Chu teh-Chun, Zao<\/p>\n

R\u00e9trospective 1956-1996, Mus\u00e9e Mu\u0308csarnok, Budapest, 1996<\/p>\n

Les Ann\u00e9es 1945-1975, Maison de l\u2019Unesco, Paris, 1996<\/p>\n

Arrabal, der Lyriker und die Ku\u0308nstler, Dali, Dorny, Miotte, Saura, Gutenberg Museum, Mayence (Germany), 1996<\/p>\n

The Garner Tullis Donation, The Ackland Art Museum, Chapel Hill, North Carolina, 1996<\/p>\n

Museum Am Ostwall, Dortmund, 1997, 1999, 2000<\/p>\n

Ont-ils du M\u00e9tier ? Propositions pour l\u2019Art Vivant \u2013 Agam, Boltansky, C\u00e9sar, Claisse, Cruz. Diez, Hains, Honegger, Messager, Miotte, Morellet, Nemours, Soto, Tinguely, Vasarely, Venet\u2026, Galerie Denise Ren\u00e9, Paris, 1997<\/p>\n

Grenzganger (qui traversent la fronti\u00e8re): Sandro Chia, lan Hamilton Finlay, Markus Lu\u0308ppertz, Jean Miotte, A.R. Penck, Bernd Zimmer, for the 200th anniversary of Heinrich Heine, Kunsthalle Du\u0308sseldorf, Staatsgalerie Stuttgart, Goethe Institut Paris and Marseille, Villa Romana, Florence, 1997<\/p>\n

20 Ans d\u2019Exposition, Museum Haus Ludwig fu\u0308r Kunstausstellungen, Saarlouis, 1997<\/p>\n

Arbeiten auf Papier (works on paper), Kunstmarkt Dresden, Dresden, 1997<\/p>\n

The National Arts Club, New York, 1998<\/p>\n

Van Der Togt Museum, Amsterdam-Amstelveen, 1998<\/p>\n

Villa Haiss, contemporary art Museum, Zell A.H., Germany, 1998, 2000<\/p>\n

Mus\u00e9e d\u2019Art et d\u2019Histoire, Fribourg (Switzerland), 1999<\/p>\n

Museum Ludwig, Koblenz (Germany), 2000<\/p>\n

Aboa Vetus Ars Nova Museum, Turku (Finland), 2000<\/p>\n

Museum of Brno, Czech Republic, 2002<\/p>\n

Chelsea Art Museum, New York, 2003, 2005<\/p>\n

Museo Fundacion Crist\u00f3bal Gabarr\u00f3n, Valladolid (Spain), 2005<\/p>\n

Artrium, Geneva, 2005<\/p>\n

Biblioth\u00e8que nationale de Nice, Nice, 2005<\/p>\n

Jean Miotte, Galerie Diane de Polignac, Paris, 2019[\/vc_column_text] <\/div>\n<\/div>

\n\n\t \n SELECTED BIBLIOGRAPHY <\/span>\n<\/span>\n\n \n <\/span>\n <\/span>\n <\/span>\n<\/span>\n<\/h4>\n
\n
\n [vc_column_text]Michel Seuphor, Dictionnaire de la peinture abstraite, \u00c9ditions Fernand Hazan, 1957<\/p>\n

Galleria Attico, Exposition Collective avec Bogart, Byzantios, Jousselin, Mihailovitch, Rome, 1958<\/p>\n

Kunstverein, Exposition Collective: Sam Francis, George Mathieu, Jean Miotte, C Maussion, Jean-Paul Riopelle, Cologne, 1962<\/p>\n

Maison de la Culture de Bourges, Exposition Collective: Karskaya, Debr\u00e9, Abboud et autres, Bourges, 1972<\/p>\n

Michel Ragon, Histoire de l\u2019Art Abstrait, vol. IV, \u00c9ditions Maeght, 1975<\/p>\n

Jos\u00e9-Augusto Fran\u00e7a, Castor Seibel, Miotte, La Porte Verte, 1975<\/p>\n

Chester Himes, Miotte, \u00c9ditions SMI, coll. \u201cL\u2019art se raconte\u201d, 1977<\/p>\n

Institut fran\u00e7ais d\u2019Ath\u00e8nes, \u00c9criture et Signes, text by Jean Miotte, Athens, 1984<\/p>\n

G\u00e9rard Xuriguera, Les Ann\u00e9es 50, \u00c9ditions Arted, 1985<\/p>\n

Fernando Arrabal, Jean Miotte, Devoirs de Vacances, \u00c9t\u00e9 85, \u00c9ditions Galil\u00e9e, Paris, 1986<\/p>\n

Marcelin Pleynet, Miotte, \u0152uvres sur Papier 1950-1965, \u00c9ditions Galil\u00e9e, Paris, 1987<\/p>\n

Marcelin Pleynet, Miotte, \u00c9ditions la Diff\u00e9rence, Paris, 1987<\/p>\n

C.M Cluny, Miotte, Peintures et Gouaches, coll. \u201cL\u2019Autre Mus\u00e9e\u201d, \u00c9ditions la Diff\u00e9rence, 1989<\/p>\n

M Chelbi, L\u2019affiche d\u2019art en Europe, \u00c9dition Van Wilder, 1989<\/p>\n

Jean-Luc Chalumeau, Miotte, coll. \u201cPasseport\u201d, \u00c9dition Fragment, Paris, 1990<\/p>\n

Bohbot, Miotte, Le Geste Majeur, \u00c9dition Navarra, Paris, 1991<\/p>\n

Centre Georges Pompidou, catalogue of the exhibition M\u00e9moire de la Libert\u00e9, Paris, 1991<\/p>\n

Jean-Claude Lambert, Le r\u00e8gne Imaginal, Cercle d\u2019Art, coll. \u201cDiagonales\u201d, 1992<\/p>\n

Lydia Harambourg, L\u2019Ecole De Paris, 1945-1965 : Dictionnaire Des Peintres, Lausanne, Ides et Calendes, 1993[\/vc_column_text] <\/div>\n<\/div><\/div>[\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][vc_column_text]<\/p>\n

Accueil<\/a><\/span><\/span><\/p>\n

[\/vc_column_text][vc_empty_space height=\u00a0\u00bb50px\u00a0\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][vc_column_text] Jean Miotte (1926-2016)\u0003 Biography [\/vc_column_text][vc_separator type=\u00a0\u00bbsmall\u00a0\u00bb position=\u00a0\u00bbleft\u00a0\u00bb color=\u00a0\u00bb#000000″ thickness=\u00a0\u00bb2″ up=\u00a0\u00bb6″][vc_empty_space height=\u00a0\u00bb16px\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″][vc_column_text] THE YEARS OF STUDIES OF THE PAINTER JEAN MIOTTE [\/vc_column_text][vc_empty_space height=\u00a0\u00bb6px\u00a0\u00bb][vc_column_text]Jean Miotte was born in Paris on September…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-244","page","type-page","status-publish","hentry"],"yoast_head":"\nJean Miotte Biography - Jean Miotte Foundation<\/title>\n<meta name=\"description\" content=\"Discover the painter Jean Miotte, his story, his works and his exhibitions through this Biography written by Mathilde Gubanski.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondationmiotte.com\/index.php\/en\/jean-miotte-biography\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean Miotte Biography - Jean Miotte Foundation\" \/>\n<meta property=\"og:description\" content=\"Discover the painter Jean Miotte, his story, his works and his exhibitions through this Biography written by Mathilde Gubanski.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fondationmiotte.com\/index.php\/en\/jean-miotte-biography\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondation Jean Miotte\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-23T13:09:36+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fondationmiotte.com\/index.php\/en\/jean-miotte-biography\/\",\"url\":\"https:\/\/fondationmiotte.com\/index.php\/en\/jean-miotte-biography\/\",\"name\":\"Jean Miotte Biography - 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